William Drendel is a Chicago book artist and designer who began his art studies at The School of the Art Institute of Chicago. His work, while based on traditional forms and techniques, tends to be very non-traditional. He has served as the Director and the Gallery Coordinator of Columbia College Chicago’s Center for Book & Paper Arts. He has also taught workshops throughout the country and he frequently spends time as a guest teacher of book arts at the Academy of Arts and Design at Tsinghua University in Beijing. He is on the Advisory Board of Cleveland’s Morgan Conservatory. His work is in many important American and international collections.
Anna Embree is an Associate Professor for the MFA in the Book Arts Program in the School of Library and Information Studies at The University of Alabama. She teaches courses and workshops in bookbinding, box making, and special topics in book preservation and book history. Anna has a strong interest in the physical and material aspects of book structures. She has collaborated with printers and papermakers on limited edition handmade books, and has exhibited widely.
Cathy Hunt is Instructional Assistant Professor of Art at the University of Houston where she coordinates the printmaking program. She received a BS from the University of Illinois and MFA from the University of Houston. She teaches classes and workshops on all aspects of printmaking as well as the book arts, with an emphasis on artists’ books. She has collaborated with a wide array of artists and authors on artist’s books and chapbooks; with her partner in Fiocat Press she most recently produced Women and Love, an excerpt from Experience: A Memoir, by Martin Amis. Cathy serves on the Board of Governors of the Arrowmont School of Arts and Crafts.
Julie Leonard maintains a studio in Iowa City and teaches bookbinding, artist books and design at The University of Iowa Center for the Book and School of Art & Art History. She is interested in both contemporary and historical forms of the book from the very old and very traditional and historically based applications to more experimental and artistic possibilities, and of course, the intersections to be found between the two. She has bound many editions in collaboration with artist printers and produces her own editioned and unique artist book works. Currently she is collaborating on a series of broadsides in honor of papermaker, poet, and artist Betty Oliver, and designing and contributing to binding an edition entitled Shakespeare’s Sisters designed by Sara Sauers for the Folger Library. Julie serves on the board of the College Book Art Association.
Matthew Liddle is the Director of the School of Art and Design at Western Carolina University in Cullowhee and is the studio coordinator of the printmaking and book arts area. He received a BA from Dartmouth College (1983) and an MFA in Printmaking/Book Arts (1991) from The University of the Arts. In addition to teaching, he has held a variety of jobs related to art, design and printing, and has pursued an interest in book arts since the 1970s when he studied letterpress printing, calligraphy and illustration with the artist Barry Moser. Liddle’s work includes prints, artist’s books and book works that incorporate a variety of media and materials, and explore a range of subjects from the personal to the cosmic.
Jessica Peterson is a letterpress printer and maker of artists’ books under the imprint Paper Souvenir. She operates The Southern Letterpress in Northport, Alabama and is an instructor of book arts and letterpress at The University of Alabama. She has taught book arts and graphic design at Mississippi University for Women, Purchase College and The University of Bridgeport. She earned a BFA from The School of the Art Institute of Chicago and an MFA from Book Arts Program at University of Alabama. Her artists’ books are collected in private and public libraries around the country.
Giselle Simon is the Conservator at the University of Iowa Libraries. Her interest in books, prints and paper began at the Kansas City Art Institute, where she received a BFA in printmaking, and continued through book conservation work at Northwestern University Library. From 2001–2012 she worked at the Newberry Library in Chicago, first as Collections Conservator and then as Director of Conservation Services. She has taught bookbinding and conservation classes at Columbia College Chicago Center for the Book and Paper Arts and collections care courses at the University of Chicago’s Graham School. Her work involves handmade paper, both as a conservation material and printing surface.